Projections [01] – Final week

Projections [01] – Final week

Making has not been necessarily the end of the process, but at this stage, making serves as a point of reflection on how I work as a designer and on how my work materialises, projects, comes together into a congruent form. Today, I will be reflecting on some of my learnings from the first part of the unit and making sense of where I find my practice to be at, and how I think it might project further.
Projections [01] – Week 6

Projections [01] – Week 6

The time to put into action my plans and concepts started to develop this week, as I started to unpack the design elements around my project as well as to determine the structure of my narratives "turned into recipes". I started by broadening my research on recipe books both online and at antique book shops as a way to get a better understanding of the visual language and material qualities of these books.
Projections [01] – Week 5

Projections [01] – Week 5

In a way, memories stand as ‘fragments” of time lived, and this points towards the possibility of experimenting further with this methodology in the recording and translation of memories of social eating. The idea of fragments, reconstructed impressions, becomes parallel to the exploration of oral history in the context of dematerialisation. I see Graphic communication design as a tool for making personal stories approachable and relatable beyond traditional archival contexts.
Projections [01] – Week 4

Projections [01] – Week 4

The Gestalt cross-year studio with Michela provided a really good reference point and context for my exploration of image making in relation to memories of social eating. It also provided an interesting evolution point from my visit to Moriyama’s exhibition the previous week. Through this workshop I started to consider how composition can become a more active element in my practice, and also, how using “fragments” of discarded things or “repurposing” of information can become even more prevalent in my visual vocabulary. 
Projections [01] – Week 3 / Daido Moriyama Exhibition

Projections [01] – Week 3 / Daido Moriyama Exhibition

After a couple of difficult weeks trying to push forward towards a different direction in my research, I had to pause and refocus on my original intent. That is, to explore the recording and translation of memories and oral history through graphic communication design, particularly focused on social eating. I realised that last term I had started developing a research method based on making, by going through experimental workbooks which allowed me to see my research subject from different angles.
Projections [01] – Week 2

Projections [01] – Week 2

This week the process has taken unexpected turns which will be very meaningful in the development of this project. My current line of enquiry starts as: Typologies of place: Exploring memory, place, and materiality through graphic communication design. I’m interested in exploring the role of GCD in establishing connections between physical places and people. At this early stage, I’m questioning the role of GCD in establishing connections between physical places and people. 
Projections [01] – Week 1

Projections [01] – Week 1

I start the term with a broad question which I hope to explore through my studio practice: How can graphic communication design spark a conversation around memories of place? This blog post will be slightly longer as I reflect on my learnings from unit 1 and 2, and discuss my current influences (things I'm inspired by) and recent studio experiments.
Louise Vormittag’s Lecture + First experiments on translating memory through the archive

Louise Vormittag’s Lecture + First experiments on translating memory through the archive

Although this is just a quick experiment based on a single visit to the archive, I think there's so much opportunity to explore more around the relationship between memory and materiality focused on a single place and culture as a starting point for further research. I'm excited to see where the project goes moving forward and how I can engage with this idea of local memory in East Anglia through Graphic Communication Design.

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