Projections [01] – Week 1

Projections [01] – Week 1

I start the term with a broad question which I hope to explore through my studio practice: How can graphic communication design spark a conversation around memories of place? This blog post will be slightly longer as I reflect on my learnings from unit 1 and 2, and discuss my current influences (things I'm inspired by) and recent studio experiments.
Louise Vormittag’s Lecture + First experiments on translating memory through the archive

Louise Vormittag’s Lecture + First experiments on translating memory through the archive

Although this is just a quick experiment based on a single visit to the archive, I think there's so much opportunity to explore more around the relationship between memory and materiality focused on a single place and culture as a starting point for further research. I'm excited to see where the project goes moving forward and how I can engage with this idea of local memory in East Anglia through Graphic Communication Design.
Reflections on a visit to the Norwich & Norfolk Heritage Centre

Reflections on a visit to the Norwich & Norfolk Heritage Centre

A visit to the Norfolk Heritage Centre at the Millennium Library made me realise the sense of permanence that is attached to the printed medium, and how the intentions of the printed object can still be read hundreds of years later. The flexibility of dematerialised mediums of communication provides a start contrasts to the permanence of physical artefacts and printed information. What is the importance of permanence in a fast changing world? 
Week 4 / Positions Through Triangulating

Week 4 / Positions Through Triangulating

Through my latest experiments I have discovered the role of the designer as a facilitator, which has opened my eyes to myriad of possibilities of how to situate my practice. This week’s highlights have been: the “Technology” cross-year workshop (In relation to the ideas around interfaces and Adhocism as my antithesis), new thoughts on my developing research question (In relation to the designer as facilitator and where I see potential to investigate further).
Week 2 / Studio – Positions Through Triangulating

Week 2 / Studio – Positions Through Triangulating

This week I delve into narrative through a poignant personal memory, centred around a man's departure for war from Oxford Railway Station in 1941. This exploration resonates strongly with my investigation of material mediums and the rematerialisation of information, offering multi-faceted perspectives on the story. As I explore the changing natures of narrative in the digital age, I delve into the relationship between medium as a mediator or interface, and move on from the idea of medium merely as a tool or process.
Reflections on reading and cognition from – Nicholas Carr, The Shallows

Reflections on reading and cognition from – Nicholas Carr, The Shallows

The Shallows by Nicholas Carr is a really thought provoking read that aligns to my interest in dematerialisation but from a more focused point of view, applied to the way dematerialisation affects the way we read, write and learn. The book formulates some really deep questions about the impact of technology in the integrity or reading and learning, and challenges us to think about the consequences of transitioning between mediums and contexts.
Positions Through Dialogue – Summer 2023 Brief

Positions Through Dialogue – Summer 2023 Brief

An interview with Argentinian designer and researcher Franca Lopez Barbera in June 2023. Exchanging ideas around our shared interest in exploring dematerialisation as a cultural and social phenomenon and its connection to the production of knowledge. Franca’s own practice explores the discourse of the material object and how the design of objects can shape us in return, also known as ontological design.

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